Sommerakademie 2015 der Akademie für alte Musik Bruneck/Brunico, Italien. Martin Mürner, Vortrag: „Das Horn in der Wiener Klassik“ - „Einblicke in die Tätigkeit eines historisch-informierten Instrumentenrestaurators“.
Draw up a diagram localising and pointing out the damages
2. Survey
List all damages with accompanying photographs
Formulate an action plan for the restoration
3. Dismantlement
Disassemble the instrument to all its individual components
Test each of them to judge its potential to be reused
Research
Locate historical documents, images, patents of the instrument or similar variations
Undertake an XRF-Analysis
Measure the thickness of the tube walls
5. Cleaning
Clean each component with either one of the following three methods, depending on level of contamination:
cuproten bath and sodium carbonate neutralisation
mechanical cleaning with nylon or wire brushes or
ultrasound
6. removing dents
removing dents
7. Laser Soldering
Punctual soldering the damaged parts can fix the instrument without interfering with its tension
8. Replacing heavily damaged parts
As much as possible we'll try to use original materials and tools that correspond to the history of the instrument
9. Reassembly
The instrument is reassembled and rough marks from the restoration are removed without erasing characteristic features relating to its history and restoration